Whether a Christian enjoys high church, low church, or something in between, aesthetics in the Church are not about any one individual person and their particular tastes. Aesthetics are, fundamentally, not a matter of legalism, but of edification—that the Gospel of Christ might be preached and taught to all peoples, unhindered by its medium.
Let us live by walking with Jesus, so that our Neo-Pagan neighbors, the witch, and frankly a lot of us Christians, can put down our crystals, our superstitions, our vision boards, and our bound sage in order to live out a liturgy of life, with rituals, practices, and behaviors that reflect who we are as followers of Christ.
As Jesus hung on the cross there would be no last second escape. No Greek goddess would swoop in to rescue him. He suffered alone. And yet even in that suffering he declared his victory on the spiritual battlefield to be your victory.

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I’ve experienced firsthand the promise that God never leaves a congregation empty-handed.
It makes perfect sense that the day honoring Jesus' birth would be observed in a decidedly less than refined manner.
Christ has come to make every last aspect of your life the object of his eternal, never-ending, always transitive grace.
At its heart, this is what Deacon King Kong is all about: the paradox of Jesus carving his victory out of the last thing we expect, not our triumphs but our defeats.
It is in your lows where Christ has hidden his highest high, eternal life itself.
One could reason that God might, at least, give the church a little worldly power.
The gospel fires up within us the gratitude, joy, and love to pull off what the law never could get us to do.
When it comes to God’s word, our help only obscures his power and grace.