The Nicene Creed is the gospel distilled—a refined and concentrated byproduct of Scripture’s own witness to the grace and power of God in Jesus Christ.
Nothing good happens when you get ahead of God and take matters into your own hands.
To confess Christ crucified and risen as the only hope in a world that has lost its mind to wickedness and rage.

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The reason Christians argue so much about the sacraments is because, deep down, they matter.
Wisdom and strength require bootstrap-pulling and the placing of noses to grindstones.
The baptized do not celebrate sin—they grieve it.
If Jesus rose from the dead, then his claims about himself and his promises to humanity warrant serious attention and response.
It’s easy to understand the allure of the shroud. In a skeptical age, a physical relic that appears to bear the imprint of the risen Christ seems like proof positive of the faith.
To be happy is to be the object of God’s love in Christ and to love God and others with the love of Christ.
In the liturgy, Christ is present, self-giving, and ever-addressing his people.
The story being told in the film is not Bonhoeffer’s story. It’s not the Confession Church’s story. Nor is it the story of the German resistance against Hitler. It is a completely fictional story of Hollywood.
This is the second article in a special three-part Advent series on how Jesus is our prophet, priest, and king.
If we picture the New Testament as a divinely painted masterpiece that hangs in the middle of a museum, then all around it are other works of the period, in different corridors of the museum, in many styles, painted by diverse artists, with variations of color and technique.
John inspired me to see each sermon as an apologetic opportunity.
Dr. Montgomery taught me the Christian faith is both a true story and a delightful story—in fact, it is the greatest story ever told.