It's one thing to hope for a new reality; it's quite another to stand before it, no matter how wonderful.
If Jesus rose from the dead, then his claims about himself and his promises to humanity warrant serious attention and response.
It’s easy to understand the allure of the shroud. In a skeptical age, a physical relic that appears to bear the imprint of the risen Christ seems like proof positive of the faith.

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Salvation is not simply transactional; it is fundamentally relational. Not anemic, but full-blooded. Not disembodied, but bodied.
God makes all things new. He refashions us from those turned in upon ourselves, turned to idols of our own choice and making, to experience the freedom He gives by pronouncing us His righteous children.
What does being free from sin, which is obviously a good thing, have to do with being free from the Law, which sounds dangerous?
Good works do not give us a righteousness that exceeds that of the scribes and Pharisees. Rather, good works result from righteousness given by the good work of the Righteous One on the cross.
My deepest awareness of myself is that I am deeply loved by Jesus Christ and I have done nothing to earn it or deserve it.
Epiphany celebrates that we have not been left in our hearts’ cold darkness and this spoiled creation.
This year, I’m more excited for Epiphany than I am for Christmas.
What more could God do to prove to us that he is for us and not against us than to give his own Son into this fallen world to take the cross in our place, exchanging his righteousness for our many sins.
The church does well to remind the world that God is unmasked, indeed, that God has unmasked himself in the person of Jesus.
Jesus is our sympathizer, our propitiation, and our advocate. We will be tempted but God will provide the way out, the way out is Jesus, the one who died for our sins.
Perhaps this past year has prompted the recognition that God is not the tame projection of our highest hopes and dreams. Instead, he is the one who uses even his foes to make a point.
The setting for Luke 2 is the first century analog to my backyard. The stage is dressed with rust and decay, guilt and shame, sin and death.