The God Who Stole Christmas. In this episode of Banned Books, we discuss Christmas Eve and Christmas Day readings, prayers, hymns, and traditions. We also have a lot of fun jesting and critiquing time-held hymns and traditions. We talk translations, history, worship, and why Christmas is the best time to embrace the enchanting absurdity of Jesus — the God-in-the-flesh, who’s come to be a Light in the darkness, a shield against sin, the world and the devil, and the Door opened and welcoming us into eternal life.

I’ve Got That Joy, Joy, Joy, Down in My Heart. In this episode, we discuss death, rebirth, and eternal life as examined and explained in The Joy of Eternal Life by Philip Nikolai.

Break the cycle. Rise above. Focus on Christ in the manger. In their monumental 100th episode, Gillespie and Riley read and discuss G.K. Chesterton’s “The Christmas Ballads.” This episode, it’s a lot of incarnation talk and a few rabbit trails along the way.

And Your Bird Can Sing! Gillespie and Riley conclude their discussion of hymnody with Chad Bird’s hymn, The Infant Priest Was Holy Born. Again, they focus on pastoral care, comfort for Christians, and what happens when the church ignores the reality of sin, death, and Satan.

Do You Have a Great Hymn This Week? Go Fish! This week, Gillespie and Riley discuss Thomas Chisholm’s poem turned hymn, Great is Thy Faithfulness. More discussion of hymnody, church music, and how what we sing can help or hinder pastoral care.

Jesus joins us in our weirdness. In this episode, Gillespie and Riley continue their discussion of how to judge a hymn with Joseph Scriverner’s classic hymn, "What a Friend We Have in Jesus."

Pump the hate brakes, Riley! This week, Gillespie and Riley begin a four-episode discussion on how to judge a hymn. In the first installment, they look at Amazing Grace and ask: "Is this a great, good, or bad hymn?" What makes a Christian hymn great? What should a church do with bad hymns?