Hymns (79)
  1. We sing, and in so doing, we are blessed as we are instilled with the word of God in word and song.
  2. The real power of his hymn comes from the fact that Bonhoeffer does not offer a rosy picture of life or any of the tropes so typical of cheap piety that tell us that everything is always right, that things happen for a reason, and that we should try to stay positive.
  3. It is that Christmas carol, the curious “We Three Kings” that we are looking at today in our examination of the origin and meaning of Christmas carols.
  4. Daniel Emery Price and Erick Sorensen talk with Chad Bird about his Christmas/Communion hymn, The Infant Priest Was Holy Born.
  5. Break the cycle. Rise above. Focus on Christ in the manger. In their monumental 100th episode, Gillespie and Riley read and discuss G.K. Chesterton’s “The Christmas Ballads.” This episode, it’s a lot of incarnation talk and a few rabbit trails along the way.
  6. One gloomy, silent night, God stepped into our darkness. The Word had not only spoken but was now made flesh.
  7. All creation joins together to repeat the sounding joy.
  8. Despite its familiarity and frequent usage, the imagery in "O Come, O Come, Emmanuel," is often underappreciated.
  9. And Your Bird Can Sing! Gillespie and Riley conclude their discussion of hymnody with Chad Bird’s hymn, The Infant Priest Was Holy Born. Again, they focus on pastoral care, comfort for Christians, and what happens when the church ignores the reality of sin, death, and Satan.
  10. Do You Have a Great Hymn This Week? Go Fish! This week, Gillespie and Riley discuss Thomas Chisholm’s poem turned hymn, Great is Thy Faithfulness. More discussion of hymnody, church music, and how what we sing can help or hinder pastoral care.
  11. Jesus joins us in our weirdness. In this episode, Gillespie and Riley continue their discussion of how to judge a hymn with Joseph Scriverner’s classic hymn, "What a Friend We Have in Jesus."
  12. Pump the hate brakes, Riley! This week, Gillespie and Riley begin a four-episode discussion on how to judge a hymn. In the first installment, they look at Amazing Grace and ask: "Is this a great, good, or bad hymn?" What makes a Christian hymn great? What should a church do with bad hymns?
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