Christ is the beating heart of Christian faith and its only object.
This is the basic argument of To Gaze upon God: that we who now see as if behind a veil will one day enjoy the unveiled splendor of God himself, who will dwell with us forever.
We love hearing about Jesus, but we also love hearing about how much effort we need to exert to truly pull off this whole “Christian life” thing.

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The only way to change the current state of worship songwriting and production is to create something different.
Jesus cries on the cross for us. He suffers and cries and dies in our place. He is forsaken by his father so we don’t have to be.
Today I would like to share The Legend of the Dogwood, inspired by the words of Stoney Cooper.
The earliest followers of God sang their faith, which is no different today as we sing of the hope we have in Jesus.
All our sin and shame is answered for in the death and resurrection of our Lord.
FLAME uses Scripture and church history to argue that baptism is a gospel gift, not our work.
For Japan’s highly secularized elite, alienated by collapsing opportunity and the materialistic void left behind, Bach’s music was a balm.
In a time of unknown, the Flanigans found comfort in the words of the prayer book and made them truly their own.
Everyone is living as a naked sufferer who’s been duped into believing that the nakedness of suffering has to be covered up.
From Genesis to Revelation, Scripture echoes with the great songs of salvation that fill our ears, hearts, minds, and mouths with the good news of salvation in Jesus.
When it comes to the Book of Concord, there are really two types of people: those who read the contents and see a series of rap albums, and those who aren’t Flame.
In both Psalms, we hear the Messiah becoming sin for us, and thus he pleads on our behalf before the Father