Jesus doesn’t say, “I give you the way,” but “I am the way.”
This is an excerpt from the sixth chapter of Fear Not: How the Gospel Disrupts Our Deepest Anxieties by Luke Kjolhaug (1517 Publishing, 2026).
We draw near because Christ our Mediator has gone where we never could, and he has brought us with him.

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This is the basic argument of To Gaze upon God: that we who now see as if behind a veil will one day enjoy the unveiled splendor of God himself, who will dwell with us forever.
Instead of a “how-to” manual, the Bible is a “what-you-didn’t-do” story.
What do we learn from the widow? We learn how to be dependent upon God.
This article is part of Stephen Paulson’s series on the Psalms.
No matter how many times we hear this good news, it never stops being good news.
If we picture the New Testament as a divinely painted masterpiece that hangs in the middle of a museum, then all around it are other works of the period, in different corridors of the museum, in many styles, painted by diverse artists, with variations of color and technique.
Salvation doesn’t hang in the balance of a voting booth.
The difference between God's gospel and man's could not be greater.
God’s creatures on four legs are some of the greatest storytellers of the Scriptures.
Jacob is given the gospel afresh right when he needed it and it is because of this gospel that his faith is stirred up anew.
“Praying the Bible” sounds odd to the ears of most believers today. That’s unfortunate.
When joined with a good Reformation theology of vocation and the freedom of a Christian, Fujimura’s vision for culture care is something all Christians can embrace, regardless of whether they are artists in the formal sense.