When standing in line, or when the commercial comes on, or when a moment of boredom comes, fast and pray instead of reaching for the screen. Be reminded that the world is not an oyster to be shucked, but a place where the gifts of redemption are already open.
Prayer is only possible because Jesus has given you access to the Father through His shed blood. Prayer is a gift purchased for you by Christ.

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Forgiveness from Jesus is always surprising to us.
The Christ who rescues does not wait for you to be clean. He comes to clean you. He does not need your strength. He brings his own.
When you remember your baptism, you're not recalling a ritual. You're standing under a current of divine action that has not ceased to flow since the moment those baptismal waters hit your skin.
“The fear of the Lord” is our heart’s awakening to and recognition of God’s outrageous goodness.
The women at the tomb were surprised by Easter. Amazed and filled with wonder at Jesus' Easter eucatastrophe. And so are we.
We needn’t fear statistics and studies as palm readings into a certain future. God is God, and his Spirit is alive through his Word.
It's one thing to hope for a new reality; it's quite another to stand before it, no matter how wonderful.
Dave weaves together music, movies, and documentaries to illustrate all the ways we seek relief—and then, full and free, he connects our need to Christ’s gift.
While I disagree with many things Francis did and believed, I think he deserves credit for this: Francis showed us what Christian leadership can look like.
This is the final installment in our series, From Eden to Easter: Life and Death in the Garden. Each day throughout Holy Week, we will take a special look at the gardens and wildernesses of Scripture, and in particular, these scenes' connections to Christ's redemption won for us on the cross.
This is the fourth installment in our series, From Eden to Easter: Life and Death in the Garden. Each day throughout Holy Week, we will take a special look at the gardens and wildernesses of Scripture, and in particular, these scenes' connections to Christ's redemption won for us on the cross.
How intentional will we be about utilizing gospel spaces that already inescapably communicate?